Domenico Foschi’s images in Tarnished Promises reflect both combined intent and chance. Foschi started Tarnished Promises as a need to express emotions that were tied to his childhood, a time in life when possibilities are infinite, and the world is an exciting playground full of promise. Once trauma entered Foschi’s young life, however, his outlook on the world became stained. Modern science informs us that trauma physically changes pathways in the brain with lasting consequences that can reshape perspective. Foschi’s images reveal what happens as the promise of a wondrous and rich life is tarnished. He wanted Tarnished Promises to be uncomplicated in form and content, as if a child had clicked the shutter of the camera. Simple compositions that give the objects photographed a kind of personification and/or anthropomorphism became an important component in the execution of his project. It was through an accident in the darkroom that Foschi discovered a way to convey feelings that he could not have expressed in any other way. In one of his darkroom sessions, while working on another project, he spilled potassium ferricyanide on one of his toned prints. Foschi was amazed to see how it changed the grays to reddish and rusty hues, displaying some caustic like effects on paper. It was this moment that gave way to the beginning of this project. It was time to tarnish his prints.