Viewpoint Exhibit History

Thursday, December 10, 2020 to Saturday, January 2, 2021


There will be no Artist's Reception or 2nd Saturday gathering offered this month. The gallery will be open Thursday - Saturday from noon to 5 p.m. 

Hindsight 20|20 is the theme of the 12th annual juried show, TWELVE. During a year of unexpected upheaval and startling adjustments at every level of society, Viewpoint asked photographers to present subjects from any time period, genre or medium that visually interpreted the theme. Juror Sharmon Goff selected a thoughtful and evocative exhibit from over 250 photographs.

Winning Images:

1st Place: Anita Rama, Digging Into the Past

2nd Place: Gene McKinnon, American River Complex Fire

3rd Place: Susan Scholey, Comet and Sunflowers

Honorable Mention Awards:

Gerry Limjuco, Fleet Week

David Nasater, Mature Beauty

Diane Tempest, Home School.

All images may be viewed in the online gallery and store following the exhibit opening.

Juror’s Statement: Sharmon Goff

I want to thank Viewpoint Photographic Art Center for inviting me to jury the exhibition, Twelve: Hindsight 20|20. Looking at stunning photographs is, for me, an irresistible pleasure.

Choosing pieces for inclusion in the show was difficult, since there were many compelling and beautiful photographs from which to select and limited space to display the work -- almost 70% of the prints had to be declined. Often calls for submission for this type of exhibit result in a predictable narrow range of work. It is too easy for photographers to become bogged down in photographic minutiae and the mechanics of digital techniques. While craft, technical understanding and skill are all essential, that is only the beginning of creating a powerful image. The work offered for consideration for this show reflected an unexpected level of innovation, breadth and variety of imagery. Unfortunately this meant that many of the pieces submitted by talented and creative artists could not be included

The most challenging part of the judging process was selecting those works for awards. Unfortunately, there were far fewer awards than photographs worthy of selection. Some of the photographers whose work was selected clearly treasure the pleasure of capturing a moment in time, an expression, a gesture, or the glow of light on a surface. But other artists started with a single photograph and used digital tools to create remarkable multilayered pieces with digital expertise and extraordinary vision. The most effective and cogent photographs are imaginative, have emotional impact or a compelling concept. The best images draw the viewer to explore the space within or the ideas they generate. The work almost demands to be examined.

By its nature the jury process is not kind. If your work was not selected for inclusion, please remember this show reflects one person’s perspective at a given point in time. Do not let this one decision keep you from pursuing your unique vision.

Image credit: 1st Place: Anita Rama, Digging Into the Past

Thursday, November 12, 2020 to Saturday, December 5, 2020


Gary Wagner's Iceland project has come from many years of photographing the landscape and having taken thousands of images of the land, sea and mountains over the past forty years. After researching Iceland’s terrain Wagner felt confident that its landscape would work well with his image style and be an exciting location for creating art.

Iceland is often referred to as a, “Photographers Paradise” and that is exactly how he found it when he arrived at this island country located just below the Arctic Circle. Arriving at the summer equinox provided almost 24 hours of daylight for capturing images of this spectacular location. On several nights he was out past midnight with the sun was still present on the horizon and he said he found the light perfect for image making. 

Landscape, seascapes and the world around him is the studio he uses for his photographic work.  He finds freedom, and inspiration to create his interpretations of the natural elements and scenic vistas that come to his view at these locations.

Thursday, November 12, 2020 to Saturday, December 5, 2020


Photograph of black necked stilts in water with reflection by David WongIn the exhibition, The Art of Birds, David Wong presents photographs of birds not just as beautiful animals in the avian world but as creatures naturally displaying artistic form and function whether in dynamic flight or in posed portraits. Wong shoots his birds in extremely high-frame rates of capture, looking for the minute changes in poses of the head, eyes, wings, and body position which gives the viewer the most artistic view of the bird or birds as they move through space. If Wong captures a beautiful photograph of a bird sitting on a branch, he considers that merely a nice snapshot instead of creating an impactful bird story. The way a particular bird is posed against its background or captured in its movement is as important to a successful bird photograph as are the details and colors of its wings and body. Sometimes Wong photographs his subjects with minimal detail to highlight the bird’s form, suggesting brush strokes in a portrait that a muralist might paint. Other times he considers the artistic relationship of the bird to the background and the composition even more important than the avian subject itself.

Thursday, September 10, 2020 to Saturday, November 7, 2020



Shell SliceThis year, Viewpoint will present its annual Collector’s Edition: Exhibit & Auction as an Art Sale Fundraiser both online and in-gallery. As many of our supporters know, this fundraiser is important to Viewpoint as it assists us with end-of-year expenses. Money raised during the exhibit will help us continue to pay rent and keep our current programming moving forward into 2021. We hope you will take a moment to review the Art Sale procedures (click READ MORE below), and participate by purchasing an image from the comfort of your home.

The 45 images in the exhibit include a beautifully curated selection from Viewpoint Portfolio Artists as well as a dozen "masters" prints or collector images. Pricing varies widely so there is something for everyone.

Please consider participating in this year's Art Sale Fundraiser to help Viewpoint and to introduce some beautiful new art into your living space.

Image Credit:  Gay Kent © Shell Slice

Special THANK YOU to all the Portfolio Artists who donated a print to the sale--we couldn't do it without you! 


Thursday, September 10, 2020 to Saturday, November 7, 2020


"Bridal Veil Mist" by Franka GablerFranka M. Gabler has been drawing her inspiration from subtle, moody, often intimate landscapes – compositions somewhere between detail/abstract and the wider view, beyond a mere record of a particular location. Such compositions allow for extracting unique scenes from otherwise well-known places, and often stimulate a viewer to think further.

The light and atmosphere in her photographs create sentimental and ethereal feeling. Photographing in misty and foggy conditions allows for making interesting compositions and interpretations by concealing distracting elements and revealing the essence.

Thursday, August 6, 2020 to Saturday, September 5, 2020


Domenico Foschi’s images in Tarnished Promises reflect both combined intent and chance. Foschi started Tarnished Promises as a need to express emotions that were tied to his childhood, a time in life when possibilities are infinite, and the world is an exciting playground full of promise. Once trauma entered Foschi’s young life, however, his outlook on the world became stained. Modern science informs us that trauma physically changes pathways in the brain with lasting consequences that can reshape perspective. Foschi’s images reveal what happens as the promise of a wondrous and rich life is tarnished. He wanted Tarnished Promises to be uncomplicated in form and content, as if a child had clicked the shutter of the camera. Simple compositions that give the objects photographed a kind of personification and/or anthropomorphism became an important component in the execution of his project. It was through an accident in the darkroom that Foschi discovered a way to convey feelings that he could not have expressed in any other way. In one of his darkroom sessions, while working on another project, he spilled potassium ferricyanide on one of his toned prints. Foschi was amazed to see how it changed the grays to reddish and rusty hues, displaying some caustic like effects on paper. It was this moment that gave way to the beginning of this project. It was time to tarnish his prints.

Thursday, August 6, 2020 to Saturday, September 5, 2020


"Trouble in Paradise," by Bree Lamb

In the series, A House, A Home, Bree Lamb isolates ubiquitous household objects as a way to investigate traditions of domestic American life. Lamb’s observations are rooted in her own personal indulgences, expectations, and questions, as well as how she sees herself existing within this larger system. Lamb is interested in revealing some of the complex layers of this shared cultural vernacular through pairing the familiar with the unexpected and creating anticipation that is never quite resolved. The interventions and commercial style of capture re-contextualize the objects as a way to challenge traditional domesticity, to pose questions about social conventions, expectations and stereotypes, and to highlight consumption and convenience as staples of American popular culture.

Thursday, August 6, 2020 to Saturday, September 5, 2020


“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity, and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.” Many have tried but, few can put it better than William Blake. John Sikita’s love affair with trees began like most, as a child. There wasn’t a tree not climbed within his neighborhood, and there was always some kind of construction going on high up amongst the branches, leaves, and squirrels. It wasn’t until he got his first look at a Sequoia though, that he really understood that trees are to be celebrated, not conquered. And this is when he first trained his lens on them. John finds that minimalist compositions suit him best giving order to what sometimes, can be construed as utter chaos. “That, coupled with changes in seasons, and or weather can really transform Mother Nature into a work of art,” says John.

Thursday, July 9, 2020 to Saturday, August 1, 2020

The Members' Exhibit officially opened on July 9th featuring 100 images. The diversity and artistic quality of this year's entries is outstanding.

We hope you will come by and check it out for yourself during our new gallery hours: Thurs., Fri. & Sat.--12 noon to 5 p.m.

Each year Viewpoint Photographic Art Center celebrates the outstanding artistic talents and creativity of its members by hosting an annual Members' Exhibit. The exhibit will showcase the wide variety of photographic interests among the members.

Image: Strings Attached © Kelley Palmer


Tuesday, June 9, 2020 to Saturday, July 4, 2020


"Black Stairs Casa Batll," by John Hennessy

This work is a personal exploration of the work of Catalan architect Antoni Gaudí. Guadí was the principal practitioner of a architectural period known as Modernisme. Hennessy’s goal is not to catalog this work but to react to it and enjoy it.

Gaudí, who died almost 100 years ago, worked in Catalonia, mostly in Barcelona. Modernisme largely died with him except for a large church which is not yet finished. Many did not mourn Modernisme; others pine for it. Millions visit Barcelona just to see it.

Gaudí’s work is very organic with many obvious references to bones, plants etc. Those who lived in his houses (some still do) must need an infusion of Dramamine to stay upright. The floors are the only things remotely in a plane. Gaudí’s work is bizarre or whimsical or gaudy or eccentric or genius. You pick.

Tuesday, May 5, 2020 to Saturday, June 6, 2020


OVERVIEW: Throughout its history, picture making technology has made photographic equipment increasingly faster, smaller, lighter and more portable. But no picture technology can compare to the cultural impact of the smartphone placing a camera in the hands of people all over the world.

For this juried competition, over 70 photographers from six states submitted their cell phone creations for Phoneography: Beyond the Selfie. Juror Betty Sederquist reviewed over 300 images to select a diverse exhibit that will  entertain, amuse, impress, and inspire viewers with the artistry of the phoneographers. 

1st Place: Mule Drivers Carry Supplies, Anita Rama
2nd Place: X Marks a Great Photo Spot,  Hayata Takeshita
3rd Place: Fisherman at Dusk,  Victoria Ruderman
Honorable Mention: Enter,  Greg DeLory
Honorable Mention: Blossoms, David Ruderman
Honorable Mention: Phantom Bell of St. Francis, David Ruderman


© Anita Rama

Monday, April 6, 2020 to Saturday, May 2, 2020


When photography began its shift from chemical/metal-based processes to digital, Jeff Redman began to fear that manufacturers like Kodak and Ilford would stop making the common black and white papers he had used for decades. So, Jeff began to consider adopting one of the more “hand-made” processes that had been used in the early days of photography. After a bit of research he came to love the look of the few “carbon prints” he was able to see in museums and collections and began to seek information about the process.

A mutual friend introduced Jeff to Vaughn Hutchings, who kindly spend a day teaching him the basics of the carbon process. Under Vaughn’s tutelage Jeff made three very nice small prints that day. He went home and began trying to make carbon prints in his own environment. Jeff states that It would be almost four years before he made another “very nice small print”.

In Jeff’s ongoing efforts to make engaging, compelling, and beautiful images he has grown to love the “look” of carbon transfer prints. Their lush tonalities, their openness, and the surface “relief” they have that imparts a subtly three-dimensional “feel.”

Thursday, March 26, 2020 to Sunday, April 26, 2020


Thanks to the Crocker Art Museum's amazing staff, the student exhibit is up on their web site!

Guiding Sunset by Sanchez Robinson

Viewpoint's 2020 Student Exhibit, Voices: Speaking with Your Photographic Eye, is a collaborative effort with the Crocker Art Museum and Viewpoint Photographic Art Center and is part of Photography Month Sacramento taking place throughout the month of April.

The exhibit features 68 images selected from over 300 total submissions. Student entries came from 11 high schools and colleges in Sacramento County as well as four neighboring counties. Exhibit juror, Tom Blackburn, selected the images as well as the award winners, who will be announced at a special reception on April 19th at the Crocker. The reception is open to students, their families, friends and faculty as well as Viewpoint members. Students selected for the exhibit will also receive a one-year membership to Viewpoint. 

© Sanchez Robinson

Read more about Viewpoint's Student Program.

Tuesday, March 10, 2020 to Saturday, April 4, 2020


Ann Mitchell is an artist who uses photography to explore space and place, actively en- gaged in creating worlds of poetic experience. After completing a BFA in Photography from Art Center College of Design, she worked as an award-winning advertising and edi- torial photographer for over a decade. She then returned to school to complete a MFA in Art from Claremont Graduate University. While there, in addition to producing her own work, she also curated several large art projects and has continued that commitment to community through the organizing of photo-related events. Shortly after graduation she joined the Art & Photography Department (now Visual and Media Arts) at Long Beach City College, where she has served as Chair and now as Digital Media Program Coordinator.

Ann Mitchell’s mother is a painter and her father was a film-maker. Over time, she’s come to realize that her photography...and her thoughts about the medium in general has been deeply influenced by both those artists. She’s always seen photography as an expressive medium that plays with the “real” but is not bound by it. She wants to create images that people can get lost in, that give the essence of a time or place in a way that speaks to the heart.



Tuesday, March 10, 2020 to Saturday, April 4, 2020


Starlings over Ararat,  by Osheen HarruthoonyanA Circle of Bluebirds re-imagines the history of the artist's family in Armenia and Italy through three different lenses: a telescope, a microscope, and the artist's imagination. Photographs of the sun, Saturn, and the north star are infused with other-worldly images overlaid onto landscapes as themes of love, happiness and connection absent from the stories of Harruthoonyan's past create visions of a new earth.

On this other earth, bluebirds, an ancient symbol of love and happiness, take the place of distant stars. A young girl swallows a star, and, butterflies weave through constellations and space dust. The Van Allen belt, a protective field between the realms of astronomy and biology, is the invisible circle holding the artist's vision together. In this belt, the creation, destruction and re-creation of energy is constantly occurring - not unlike the memories of the places where our families are born, and reborn, throughout generations.

While it cannot be seen with the naked eye, when the movement of this energy is translated into auditory waves, it sounds like a circle of birds chirping - proving that it is, perhaps, only our limited mentalities or methods that keep us from experiencing the new worlds awaiting just beyond the stories that defined our past.



Tuesday, March 10, 2020 to Saturday, April 4, 2020


Typically, Gordon Reynolds does not preplan his photographs, nor does he work on projects, though he has several series that are constantly expanding. Mainly, he relies on luck, and a good bit of walking around. The subjects that interest him most are things from the man-made world, especially those that seem odd, mysterious, and/or timeless. While he has come to enjoy making photographs in the landscape it’s really the urban setting he most likes to explore.

These photographs were taken a week apart on two days in January, 2015. He has been to the area, Discovery Park, many times before and since, usually during the fall and winter months. On these two occasions the American River was low and flat with barely a ripple on the water, making a fine reflective surface. He felt like he was walking among finely preserved monuments from the past. They are hulking things, these pillars, and he wanted to capture a sense of serene ageless grandeur.


Tuesday, February 4, 2020 to Saturday, March 7, 2020


Michael Radin grew up in Los Angeles. As a teenager he became interested in photography. His first teacher was the family’s professional photographer. He went on to get his Master of Fine Arts from UCDavis in the 70s and studied with Robert Frank, Bob Arneson, Wayne Thiebaud, and Harvey Himelfarb. Other influences on Michael’s work include Marcel Duchamp, Man Ray, and Moholy-Nagy.

Michael’s process is to play with the camera until some idea intrigues him enough that he embarks on a project that may last for many years. His work reflects his fascination with images that bend reality and challenge the way we have traditionally looked at things.

His work has been shown in various galleries, both nationally and internationally, and it was published in the 100th Anniversary issue of Lenswork. Robert Frank included Michael in his 1996 book Thank You.

After a many years traveling the US as a programming consultant, Michael came back to Davis and is involved in the local art community.





Tuesday, February 4, 2020 to Saturday, March 7, 2020


Claude Duplat has been a photographer all of his life. He owned The Black and White Photo Lab in Sacramento for twenty-five years (1979-2004). During that time, he had many photography shows. Always pushing limits with his photography, manipulating his photos with an artistic eye. After years of owning The Black and White Photo Lab and his own studio he experienced burnout and stepped away from photographic projects. However, in retirement he found his way back to his passion and love for photography.

In his 30’s (mid 1980-1990’s) he had multiple shows of his photography. During those years he also had photography in the KVIE Art Auction, the Crocker-Kingsley Art Completion and photographed art for the Crocker Art Museum. His last exhibition of his 4’x5’ black and white woven photos was 30 years ago at Chan Elliot Gallery in Sacramento, CA. Most recently, his work was exhibited at the Viewpoint Photographic Art Center and Blue Line Art. This one man show includes his current work pushing boundaries with photography and photos reflecting movement through daytime time exposures. Claude feels that he has come full circle; having created large woven photos in his darkroom, and now creating his images digitally at home in his lightroom.

Tuesday, February 4, 2020 to Saturday, March 7, 2020


When Laszlo Bencze’s brother-in-law, George, was a kid in New Hampshire his father, fed up with life, would threaten the family by saying, “I’m going to Roseville.” Everyone understood Roseville, California as the end of the line, as far away as you could get. Those words always scared little George.

In 2010 Bencze moved to Roseville. He looked around and noticed that other than the giant Union Pacific rail yard, it was not much different from the little Ohio town where he had grown up. There were old buildings in the tiny downtown area around which circled neighborhoods dating from early to mid 20th century. As a teenager Bencze had photographed his hometown and exhibited the results in the local library. He decided to do the same for Roseville.



Tuesday, January 7, 2020 to Saturday, February 1, 2020


Judith Monroe believes that we are often overstressed and too busy in our modern world, numbing our senses and making us feel disconnected. She sees the natural world we live in as an amazing place full of potential for refreshment and connection. As she goes through her daily routines, Judith endeavors to focus on the natural elements she encounters, whether taking a walk through nearby woods, walking her dogs in a local park, or stopping to view an insect. She collects natural objects, takes photographs and makes artworks to surround herself with the nature that energizes her. Judith finds solace and peace and reminders of her faith in nature. She says, “A breeze is God’s caress across my face, a leaf is a symbol for growth, a butterfly is a reminder of our potential for transformation into something better than we are today.”

Tuesday, January 7, 2020 to Saturday, February 1, 2020


To David, Street Photography is like A People Safari.  As he roams the streets of a city, camera at the ready, David keeps his eyes open for humorous situations, intriguing expressions, ironic moments, and touching interactions.  One favorite location he’s drawn to are museums, not only for the beautiful art, but for the juxtapositions created by visitors.    

It’s exciting and personally rewarding to make a photograph -- a moment in time that is unique.  In the click of the shutter, a street image is captured – one that has never been seen before and will likely never be observed again.

“You cannot make street photography happen; it must present itself. I recognize and capture images that speak to me; to find interesting things in ordinary places.”

Tuesday, December 10, 2019 to Saturday, January 4, 2020


Anachronism in Baker, CA, by Dale Green

2018 Twelve Exhibit

Visual & Verbal is the theme of the 11th annual juried show, TWELVE. Visual & Verbal focuses on the relationship of words to pictures, specifically to photographs. These two realms, visual and verbal, come from different portions of our brains and obviously have different roles in communication. But they are partners. The exhibit Twelve: Visual & Verbal explores that complex and stimulating partnership. The photographic subject matter and methods are wide open, limitless. However, words should accompany photographic entries in one or both of the following ways:

  1. The image contains whole or partial letters, words or numbers in any language as a design element. These textual elements might appear in the original photograph, such as a street signs, or may be added to the image, for example, handwritten or digitally applied text.
  2. The title extends the meaning of the photograph.


Tuesday, November 5, 2019 to Saturday, December 7, 2019


Chemigram  Methodology:

The chemigram process is an equal mix of painting, printmaking and photography.  Chemigrams are made without the use of a camera and in full light on silver-based photographic materials. And like any other medium, the chemigram's visual vocabulary is solely dependent on the innovation and imagination of the artist.

Tuesday, November 5, 2019 to Saturday, December 7, 2019


Umbilicus is a creative response to motherhood and the transformative nature of the female body.  The spherical form that appears in my work references the womb, the first dark hollow we inhabit. The uterus can resist or allow potential candidates for occupancy. Once occupied, the long wait ensues, and then - the inevitable surrender. The cord will be cut, but the tether remains. There is a sense of biology in my work, where organic forms meet graphic elements.  These elements allude to the pull from the outside world - the man-made world, where straight lines come from.  Some images in the exhibition began as lumen prints, born in the sun. I enjoy the playfulness of objects on a wide array of papers and the reference to historic photographic methods. I shoot film and experiment quite a bit with alternative processes.  I like when outcomes cannot be predicted, and control is relinquished to the light.

Tuesday, November 5, 2019 to Saturday, December 7, 2019


Mircea Ouatu-Lascar finds great joy being outdoors to photograph nature, architecture and  occasionally people.  Although he likes to travel, Mircea enjoys very much photographing close to home, in our local parks and around town.

Looking through the viewfinder with the lens wide open the fences disappear, the subject comes close, and for a brief fraction of time the crowds also seem to disappear leaving the impression of an intimate ‘one-on-one’ moment. Bringing the viewer into the world of animals through his lens and his heart, Mircea advocates for wildlife conservation, care and education.  Perhaps a photograph can start a conversation, which leads to awareness that grows into compassion, which in turn motivates positive action.






Thank you to our sponsors!

Kenneth Meyers
Meyers Investment Group of Baird

Platinum Sponsor


Viewpoint Photographic Art Center is the proud recipient of a SMAC Cultural Arts Award grant.

Individual Sponsorships
(Luminance Level & Above)

Diane Tempest

J.B. Jones



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