Currently showing at the Viewpoint Gallery

Ken Meyers: Remembering the Shoah: Images from Dachau, Auschwitz and Birkenau

Exhibit Dates: 
Tuesday, Nov. 7 to Saturday, Dec. 2
Artist Reception (Member Event): 
Friday, Nov. 10 6:00 pm to 8:30 pm
2nd Saturday Opening (General Public): 
Saturday, Nov. 11 5:00 pm to 9:00 pm

Ken Meyers is a visual person. He says, “Sometimes I find it hard to put words to my feelings.  I suppose that's one of the reasons that I love photography.” As we have all heard the saying “a picture is worth a thousand words”, no place would be truer for Ken than his visits to the concentration camps. Ken made two separate visits over a few years to Dachau, Auschwitz, Birkenau, as well as other places connected with the atrocities of the holocaust, such as Anne Frank's home and Schindler's Factory.

As Ken photographed these places, he was haunted by black and white movies playing in his head - A mother having her children ripped from her arms, the Nazi's assuring those packed like cattle in the train cars that they were being transported to a new ghetto and that everything would be fine, the bodies piled in mass graves or being burned by the thousands.  Ken adds that he is sickened by the experiments of Josef Mengele and that he cried out in pain and sorrow for his fellow man. “How can any human being do this to another?”

These images are his attempt to pass on to you his vision of these dark places.  Ken strongly urges all to pay a visit to the camps, if given the opportunity.  He believes that, “when you do, you will have an indelible mark  placed on your soul for all that lost their lives in those horrid camps.”

Kerby Smith: Imaginary Realism: Photo Quilts

Exhibit Dates: 
Tuesday, Nov. 7 to Saturday, Dec. 2
Artist Reception (Member Event): 
Friday, Nov. 10 6:00 pm to 8:30 pm
2nd Saturday Opening (General Public): 
Saturday, Nov. 11 5:00 pm to 9:00 pm

Airborne, by Kerby Smith

In the world of pristine photographic prints, some people might consider it a heresy to print images on fabric and then sew on top of the image with thread.  Kerby Smith finds it quite liberating. He has been photographing for over 50 years, and has exhibited in a wide range of venues. For most of that time he printed on paper, matted and framed his photographs under glass. But, he was never comfortable seeing the image behind glass. He prefers the up close and personal relationship the viewer gets with the image when there is no glass barrier between them.

Before archival ink jet printers, Smith experimented with printing black and white photographs on canvas with a silver coating. He developed the canvas using garbage cans of developer, stop bath and fixer. He washed the printed canvas with a garden hose running into a plastic barrel. Then he would stretch the canvas for gallery presentation.

Today, in creating his digital images, he begins with a photographic capture which provides a first look at the scene. Then in his digital darkroom, he explores the possibilities of where the image can take himself and the viewer.  Smith says “I want to take the imagery to a place where it will put a smile on the viewer’s face when he or she interacts with it.  I often move a few degrees off reality to create the view I imagine. Sometimes, it is with an extended palette or color range, other times it is simply a change of viewpoint or scale”.

Thank you to our sponsors!


Kenneth Meyers, Robert W. Baird & Co.
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