Past Exhibits

Karen Connell states that she has always been fascinated with how people personalize their environment and personal spaces using color, natural materials and artifacts to create a sense of serenity, harmony and joy. Her work has always attempted to capture those feelings and share them with her viewers. These black and white flower studies are the current incarnation of a progression of work exploring this theme. Connell believes that flowers are integral to any positive human environment.    She says, "I marvel at how just the sight of flowers can make me feel happy.”

In this series of flower studies, she has distilled the essence of how flowers affect us by emphasizing line and light and eliminating the distractions of color. “I am filled with wonder at the magical impact of light on these flowers” she muses.

Her work has often been described as “painterly” and this work, while in black and white, continues that esthetic. She printed the images on Japanese mulberry paper to further enhance the impact of the images. “This paper adds layers of texture and depth to the two-dimensional images to make them much more expressive and conveys that sensibility I am trying to achieve in my work” she comments.

Growing up Patti Garcia had only one doll, she called him Tony. He was her best friend in a world of little materials or possessions. She left Tony behind when her parents moved to the USA and even though she was gifted with many new toys, her doll was still her best toy. She since has left dolls and other playthings behind and has found a new meaning for these creatures. Dolls capture a time of innocence, a time of simple games. But they also have a mystery about them, “they have been misunderstood in a world of suspicion”, says Garcia, they have a sense of the past, an almost eerie and scary feel of souls living in them. This is what captivated her when she first started to photograph them. She has now been shooting images of dolls for more than ten years. They all live in a box, no one has seen them, only Patti finds them as treasures to her collection. “I would like to share these images with the rest of doll enthusiasts and artists who can see what I see” shares Garcia.

There is nothing Farrell Scott loves more than capturing what happens behind the scenes to bring food to our tables. Whether it's documenting a busy kitchen or a working farm, she is only too happy to be in the middle of it all and seize the action. At the same time, when she’s in the studio creating a still life of a chocolate layer cake with ganache or a cheeseburger dripping with barbecue sauce, Scott has found how she communicates best with the world.

For the past several years, Scott has been working with a restaurant group designing their establishments from top to bottom. What she’s witnessed, time and time again, is the passion and full dedication of the people that bring beautiful, local food to the dining table. The story of their food is told repeatedly - just look at the millions of food images posted daily. But what’s their story? The Executive Chef that is an avid bow hunter, the Chef de Cuisine who has a wicked golf game or the Sous Chef that grows food and edible flowers. Scott wanted to find out about who was creating the amazing meals she was experiencing. Thus came about her first deep dive into portrait photography to bring you - Chefs Off Line.

Scott, a native of Sacramento, is a commercial photographer specializing in the art of food, agriculture and architecture. To challenge herself photographically, she enjoys exploring the waterways of Sacramento and Yolo creating night images any time of year while disregarding the weather.

The Currents series, by Beth Young, is borne of a reverence for the life blood that sustains us all: water. This series examines the various forms it takes as it circulates throughout the Earth, from clouds and mist in the atmosphere, to ocean waves and thundering waterfalls' to calm reflections. Throughout this process, water changes it’s state of being several times: ever-changing, refracting light, carving through stone, timeless, sensual, always steadfast.

“Dripping water hollows out stone, not through force but through persistence.” - Ovid

Douglas Vincent works to convey fleeting moments that resonate as metaphors for guiding his life — subtlety, simplicity, the sublime.  The canvas of his inspiration is the American West, its brush strokes of wilderness and agriculture. He values intimacy of place, returning frequently to locations where time and communion have deepened his understanding of both place and self.

Douglas has disciplined himself to explore without a camera. The ability to see photographs is a mysterious balance of curiosity, receptivity, and experience. The acuteness of his receptivity, a discipline of letting go, can often be elusive and frustrating.  The process is a meditation, a "non-effort" in becoming fully present and immersed in his surroundings. When inspiration is found, it necessitates careful consideration of subject and light. Returning, under optimal conditions, to make the intended photograph can take minutes, a day, sometimes years. Or not at all. While intended photographs are sometimes lost, Douglas believes this approach enables him to create intimate meditative photographs that evoke both a sense and transcendence of place and subject.

Jerry Kapler’s current photography endeavors have included creating conceptual images which tell a story. He begins with his own original digital images and scans of older black and white negatives from the 1960s and 70s, which have been colorized in Photoshop. His ideas are expressed in individual images or with three to five images, which create a narrative.

When generating a new piece, Jerry’s goal is to create a surreal environment that will evoke emotion in the viewer. Even though the subject matter may contain religious or death elements, the initial underlying motivation is to see how these individual elements create a final interesting result. In essence, he enjoys putting together images that surprises both himself and the viewer. His strongest influences have been the surrealist Maggie Taylor and René Magritte as well as numerous medieval artists.

It’s not what you look at that matters, it’s what you see.  ~Henry David Thoreau

In this series, Wendy Baker combines her passions for travel and architectural and portrait photography to create visual stories evoking a feeling of mystery.

Her dreamlike images always begin with a sense of place.  She then adds her photographs of models, clothing, and other elements.  She states, “I love to travel.  I’m captivated by the idea of magical journeys—whether to far-off lands or deep into the self.  My goal is to create a feeling of fantasy — transitioning from the known to the unknown by using beautiful light, muted colors, symbolic details and compositions with strong leading lines.“  She often adds touches of archival glitter to her printed pieces before framing.   

As the owner of a commercial photography business based in the Sacramento area, she is constantly developing new skills.  She loves everything about the creative process.  From getting up before dawn in a new city to capturing the perfect light, to sitting at her computer combining the elements she’s gathered into a unique visual story, one that she hopes will spark the viewer's imagination.

Please join us for a Viewpoint Fundraiser at the Luther Gerlach Artist Reception!

This dual-purpose event offers the opportunity for both our members and general public to enjoy a special artists’ reception and to get a preview of the new exhibits with photographers in attendance.

Guests will enjoy a selection of wines and craft beer, light appetizers and an array of desserts.

$15 per person (18 and under free). Purchase tickets HERE

Viewpoint is privileged to present internationally renowned photographer Luther Gerlach and his mammoth wet-plate collodion photography. The past meets the present in this intriguing photographic process created with wet chemicals, glass and tin plates. Luther Gerlach is one of the photographers responsible for the resurgence of this method in contemporary art. He demonstrates these processes for the J.Paul Getty Center. He travels the world in a converted darkroom bus for mammoth plates and created the only existing see-through, functional camera and darkroom chamber where small plates are shot and processed before your eyes.

Stephen Fischer is an outdoor photographer specializing in landscape and wildlife imagery, covering many areas of the American West.  To capture more unique results, he enjoys the challenge of exploring out-of-the-way or less convenient locations, and at all times of the year.   Based out of Sacramento California, some of his work has centered around the natural habitat of the area, while also trying to give others a better appreciation of its beauty.

Savannahs of predominately blue oaks dispersed over bucolic grasslands on gently rolling hills, these lands reflect the state of the California foothills closer to its native form. Providing a quiet solitude and an oasis for wildlife, while isolated from the hustle and bustle of encroaching suburban sprawl, the oak savannahs in California are disappearing at an increasing rate.

Stephen Fischer's exhibit of black-and-white photographs provides a documentation of these lands south of 50 in their undisturbed form as captured ahead of their destruction over the past decade.

Born in Iran in 1966 Cyrus Javid lived there until he was 25. He migrated to the United States in 1991 and became a US citizen in 1999.

Mostly a self-taught photographer, Cyrus strives to be better with every photograph.  Line, color, shape, form, texture, balance, movement, pattern, and proportion are integral parts of his images. Through their use, he hopes to create images that are unique, and to offer his viewers a new perspective. Javid loves color images but dreams in black and white.

The images in this exhibition were made a few years ago. Javid’s adventure took him to Casablanca; Rabat, with its green hills by the Atlantic ocean; Fes, with its ancient winding medina; Ouarzazate, the gateway to the Sahara Desert, with its shifting colored sands; the rugged twisted roads of the Atlas Mountains; and finally, the amazing Marrakech, where spice and argon oil souks and snake charmers fill the long winding alleys of Jamaa-el-fna.

Born in 1957, in Vilafranca del Penedès (Barcelona), Spain, Pep Ventosa has been fascinated with photography from his first camera gift at the age of 10.

Ventosa states, "I use photographs as raw material, like paint, to create new imagery. I like to explore the space between painting and photography. I believe photography is not only a tool to document things but also one that’s part of the rich history of picture making. I’m particularly interested in representing familiar subjects in ways perhaps not seen before."

"We are surrounded by trees, yet we often walk by them without a thought. In this series, I walk in a circle around a tree, shooting it repeatedly along my path, then overlay and refine the shots to discover what became of the the orbit, the tree and its environment in the round. I like the idea of rendering what is sometimes a complex environment into an abstract backdrop, leaving the tree with the leading role."

Balance is the theme of the 2017 Twelve exhibit, Viewpoint Gallery’s annual December juried show. In life, balance is the oft sought equilibrium of daily activities from menu planning, exercise, speaker output, tire maintenance, and checkbooks. It is the obviously necessary skill of the tight rope walker, bicyclist, ballet dancer and bowler at the line. As a principle of art and design, balance describes compositional arrangement such as symmetrical, asymmetrical or radial, but in broader understanding, artistic balance indicates the totality of elements working together for meaning and visual impact. Balance itself can be symbolized simply by the placement of the horizon line or by the dramatic tilt of mast and sail against the wind. Balance is in the internal tug of subjects vying for attention within the frame or the quiet push of opposing space or textures. Within the craft of photography balance is tonal range, contrast, and color corrected to match expectation. Yet while balance comforts in its seeming correctness and familiarity, perhaps art is most interesting just at the edge of being out of whack. The principle of balance is open for your photographic interpretation. Any subject and photographic approach is invited for this juried exhibit.