Upcoming Exhibits

Kirk Keeler: Ten Years in Yosemite

Exhibit Dates: 
Tuesday, Mar. 9 to Saturday, Apr. 3

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Kirk Keeler’s Ten Years in Yosemite is an intimate look at the photographs of a staff photographer at The Ansel Adams Gallery, living full-time in one of the World’s most visited national parks.  This is an exhibit of photographs taken by an insider; a vantage point few photographers – not to mention people – get to experience.

Jeff Redman: Still Beguiled by the Ordinary

Exhibit Dates: 
Tuesday, Mar. 9 to Saturday, Apr. 3

 

In this exhibit Jeff Redman shares his love of carbon transfer printing. The development process is very sensitive resulting in a uniquely subtle print with a three-dimensional quality.

If you've never experienced the beauty of a carbon print, plan an in-gallery visit for this exhibit. The work is a study in nuance. 

OPEN SHOW Sacramento: Alumni Collection

Exhibit Dates: 
Tuesday, Apr. 6 to Saturday, May. 1

OPEN SHOW Sacramento Alumni catalog for sale HERE

OPEN SHOW Sacramento is a unique presentation platform for photographers, by photographers. The event comes together through an Open Call for photography projects that includes a body of work, which has been completed or is in process. Once submitted, the program coordinator, Juliet Haas selects five presenters to share their work. 

This exhibit represents images from the Alumni of the past 11 OPEN SHOW Sacramento presentations over a three-year period of time. Each of the 44 photographers will be exhibiting one image representing their current work or project.

Image by: Iva Bartley

Student Exhibit 2021: Photographing in 2020: Light and Dark

Exhibit Dates: 
Tuesday, Apr. 6 to Saturday, May. 1

 

More information coming soon!

David John Lotto: A Retrospective in Platinum/Palladium

Exhibit Dates: 
Tuesday, May. 4 to Saturday, Jun. 5

 

More information coming soon!

Marco Pinter: Less Ephemeral

Exhibit Dates: 
Tuesday, May. 4 to Saturday, Jun. 5

 

Marco Pinter’s work explores the underlying mechanisms of perception, creating situations of conflict between our higher level consciousness and lower level perception. He typically uses materials that explore a fusion of physical movement with visualizations in the virtual world. He finds inspiration in dance and sculpture, but also in cognitive psychology, neuroscience and mathematics.

In installation form, Mr. Pinter works with robotic sculpture and computer graphic forms. At the same time, he pursues similar themes in performance through the use of dancers, sensors and projected forms. This process becomes cyclical, wherein his observations of public participants with an installation, on the one hand, and his experience with performers and audience, on the other, create a feedback loop of cross-influence in his ongoing exploration.

With his work, through a dialog between dynamic material forms (live participants and/or sculpture) and virtual forms (e. g. via screens and projections), he seeks to challenge our cognitive perceptions of what is real and what is imagined. Ideally, this may inspire a viewer to reflect on the illusory realities which our senses create, and how those constructs impact perception and behavior.

 

 

 

 

Richard Greene: Urban Landscapes-Abstract Architectural

Exhibit Dates: 
Tuesday, Jun. 8 to Saturday, Jul. 3

 

This series of 25 images focuses on a specific aspect of the Urban Landscape, exteriors of multiple grouped buildings, mostly commercial, with minimal surrounding context. These compositions intend to transform stark geometries into abstract surfaces revealing new and unexpected perspectives. The mathematical relationships among the buildings, the collisions of lines, the confusions of space and depth, the visual interactions of several structures at once, all are spellbinding.

Richard Greene's background as a musician has him interpreting architectural forms and their intersections as music, full of harmonies, counterpoint, fugue and cross rhythms, all captured in steel, brick, glass and concrete. Often this subject is shot as far back as possible to get the whole object in the frame. His abstractive approach hopes to create a temporary optical illusion of captivating lines and patterns, the image being only part of the world it extends into after the eye leaves the photo. His favorite images are the ones that at first the viewers don’t quite know what they are seeing.

Tim Messick: Reflecting on Bodie

Exhibit Dates: 
Tuesday, Jun. 8 to Saturday, Jul. 3

 

"Clouds in the Church," by Time Messick

After many years photographing building exteriors and interiors at Bodie, Tim Messick felt there wasn't much new or different to capture there. Then he realized that by embracing the window reflections he had been struggling to exclude from his images, he could bring surprising new depth and complexity to his compositions. That was a breakthrough for Messick, not just in image-making, but also in how he explores and experiences the place.  Now he looks for reflections to include in his images deliberately — by carefully composing them in-camera, then balancing light, shadow, and contrast in post-processing. He hopes that these moody "found collages" — with multiple layers of foreground, background, and reflection — may provoke a different kind of reflection, on the past, present, and future of this once famously boisterous mining town.

Thank you to our sponsors!


Kenneth Meyers
Meyers Investment Group of Baird

Platinum Sponsor

 

Viewpoint Photographic Art Center is the proud recipient of a SMAC Cultural Arts Award grant.




Individual Sponsorships
(Luminance Level & Above)

Diane Tempest

J.B. Jones


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